ZOOM

Zoom F8 Multitrack Field Recorder

Name: Zoom F8 Multitrack Field Recorder
Brand: ZOOM
SKU: 600001357
Price: 999.0 GBP
Availability: OutOfStock

£999.00

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The Zoom F8 is a professional multi-track field recorder made for serious filmmakers and sound designers. With 8-input/10-track recording, super low-noise preamps, and support for 24-bit/192 kHz audio, the F8 captures the highest-quality audio.

Accessories included with the F8:

Camera mount adapter

12V AC adapter (AD-19)

Battery Case (BCF-8)

Operation manual

TA3 to XLR cable x2

Cubase LE and WaveLab LE download code

The Facts

Mic pre's
Outfitted with our finest mic preamps to date, the F8 features an extremely low noise floor (−127 dBu EIN) and high gain (up to 75 dB), with +4 dB line inputs.

High-resolution audio and advanced limiters
The F8 can record at 24-bit/192 kHz resolution and is equipped with onboard limiters designed to provide overload protection. Limiting can be applied to all 8 channels simultaneously at full resolution, with 10dB of headroom and controls for setting threshold, attack, and release.

Time code with pinpoint accuracy
The F8’s time code is state-of-the-art. It utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy, enabling rock-solid syncing of audio and video.

The F8 supports all standard dropframe and non-drop formats, and can jam sync to time code being provided by external devices. An input and output are provided on standard BNC connectors, enabling easy integration into any rig.

Weight and build
The F8 is not only versatile and feature rich, it is the smallest field recorder with eight XLR combo inputs ever made. Weighing just 2.1 pounds (without batteries), its aluminum chassis is both rugged and durable.

Display
Sound professionals sometimes work in dusty, hard-to-see environments. Level meters with adjustable brightness and its 2.4 inch full-color backlit LCD (which can be set to monochrome mode), make the F8 easy to use in any environment — from low-light to direct sunlight.

File formats, resolution, and sample rates
The F8 records in BWF-compatible WAV format at 16 or 24-bit resolution, and at any standard sample rate up to 192 kHz. When recording files in MP3 format, you can choose bit rates of 128, 192, or 320 kbps.

Dual SD card recording
Record on two SD/SDHC/SDXC cards*, up to 512 GB each, simultaneously, allowing you to instantly backup or split recordings (for example, save eight tracks onto one card and a stereo mix onto another).

* View list of confirmed compatible SD cards.

Three power sources
A 4-pin Hirose connector allows the use of external 9-16 volt DC battery packs. Internal power is provided by 8 AA batteries. The F8 can switch power sources from a DC battery pack to the AA batteries at a user-defined voltage level for uninterrupted recording. You can also use the supplied 12 volt AC adapter when not on the go.

File protection
Files are saved periodically during recording. This provides an extra level of protection in the event of unexpected file interruption, for example, power loss or the removal of an SD card.

Dual-channel recording
The F8’s dual-channel recording mode allows you to create safety tracks on inputs 1-4, each with independent level, limiting, delay, phase inversion, and high-pass filtering.

Pre-record
The pre-record function allows you to capture up to 6 seconds of audio before you hit the RECORD button.

Comprehensive headphone monitoring Out in the field, it's important to be able to quickly check levels as you're recording. With the F8, it's simple. A single display lets you monitor single or multiple tracks, as well as any of the Main or Sub outputs, via a dedicated ¼" headphone jack with a front panel volume control.

Signals can be freely routed to the left and/or right headphone channels, pre- or post-fader, and the headphone output can be switched to mono. You can set headphone alert tones for low battery, recording start/stop, or recording errors.

The F8 comes equipped with a built-in 100 mW headphone amplifier, allowing you to monitor in the noisiest of environments.

*Pictured: Mark Lanza MPSE (Sound Designer Sony Pictures, Vice President - Motion Picture Sound Editors)

The F8 is the first field recorder to come with wireless Bluetooth control. The Zoom F8 Control App for iOS provides extensive wireless remote control of the F8 from your iPhone, iPad, or iPod Touch (5th Gen) using Bluetooth LE protocol. Functions include Record, Play, Stop, Fast-Forward, and Rewind, plus mixer pan and fader level. You can also monitor input levels, current time code, and battery status. With Zoom F8 Control, you can rename files, enter metadata, and set date/time information directly from your iOS device.

Get free "F8 Control" app from App Store

The hardware

Inputs
The F8 provides 8 discrete inputs with locking Neutrik XLR/TRS combo connectors. Each input has a dedicated gain control knob, a 6-segment LED level meter, and Record Ready and PFL switch. A 10-pin connector on the rear panel enables the use of Zoom mic capsules, with an optional extension cable that allows for remote positioning. There's also a built-in slate mic and a variable frequency slate tone generator to confirm levels.

Outputs
In addition to its ¼" headphone jack with dedicated volume control, the F8 provides four outputs: two Main Outs (on balanced TA3 mini-XLR jacks) for connection to external mixers and processing devices; and two Sub Outs (on a single unbalanced ⅛" stereo mini-jack) for connection to a camera.

Time code and USB
Time code I/O is provided on BNC connectors. A USB port enables firmware updates, file transfer, and allows the F8 to be used as an 8-in/4-out USB audio interface operating at sample rates up to 96 kHz.

The software

The F8's menu is easy to navigate and has a simple file structure. Cataloging is straightforward, with extensive metadata (both BWF and iXML), which can be entered directly on the F8 or with the Zoom F8 Control App.

Onboard mixer
The F8's onboard mixer enables flexible signal routing from all inputs to all outputs, either pre- or post-fader, with user-adjustable level, pan, and input/output delay. In addition to advanced onboard limiters (which can be applied to all channels and tracks simultaneously), the F8 also provides high-pass filtering to reduce the sound of wind and other noise, plus phase inversion and Mid-Side decoding.

RECORDING MEDIA
Dual SD card slot supports:	16 MB–2 GB SD cards 4 GB–32 GB SDHC cards 64 GB–512 GB SDXC cards
INPUTS: 1-8
Connectors:	XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot)
INPUTS: XLR (MIC)
Input gain:	+10 – +75 dB
Input impedance:	3.3 kΩ
Maximum input level:	+14 dBu (at 0 dBFS, limiter ON)
Phantom power:	+24/+48V 10 mA maximum for each channel
THD (Total Harmonic Distortion):	0.009% max (1kHz, 22Hz-22kHz BW, Input Gain min, -10dBu input)
INPUTS: TRS (LINE)
Input gain:	−10 – +55 dB
Input impedance:	28 kΩ
Maximum input level:	+34 dBu (at 0 dBFS, limiter ON)
THD (Total Harmonic Distortion):	0.010% max (1kHz, 22Hz-22kHz BW, Input Gain min +10dBu input)
INPUTS: ADDITIONAL INFO
Equivalent input noise:	−127 dBu or less (A-weighted, +75 dB input gain, 150Ω input)
Frequency characteristics:	10 Hz – 80 kHz +0.5 dB/−1 dB (192 kHz sampling rate)
A/D dynamic range:	120 dB typ (−60 dBFS input, A-weighted)
Crosstalk:	−90 dB or less (between adjacent channels, 1 kHz)
MIC IN:	ZOOM mic capsule input (use disables Inputs 1/2)
SLATE MIC:	Built-in mic for voice memos can freely be assigned to tracks
OUTPUTS: MAIN OUT 1/2
Connectors:	TA3 connectors, balanced output (2: hot)
Output impedance:	150 Ω or less
Reference output level:	−10 dBV (Normal Output Type), −40 dBV (Mic Output Type), 1 kHz, 600Ω load
Maximum output level:	+10 dBV (Normal Output Type), −20 dBV (Mic Output Type), 1 kHz, 600Ω load
OUTPUTS: SUB OUT 1/2
Connector:	3.5mm stereo mini unbalanced output jack
Output impedance:	100 Ω or less
Reference output level:	−10 dBV (Normal Output Type), −40 dBV (Mic Output Type), 1 kHz, 10kΩ load
Maximum output level:	+10 dBV (Normal Output Type), −20 dBV (Mic Output Type), 1 kHz, 10kΩ load
HEADPHONE
Connector:	1/4" unbalanced stereo output jack
Output impedance:	15 Ω or less
Maximum output level:	100 mW + 100 mW (32Ω load)
D/A
D/A dynamic range:	106 dB typical (−60 dBFS input, A-weighted)
RECORDING FORMATS: WHEN WAV SELECTED
Supported formats:	44.1/47.952/48/48.048/88.2/96/192 kHz, 16/24-bit, mono/stereo/2-10 ch poly, BWF and iXML
Maximum simultaneous recording tracks:	10 (8 inputs + stereo mix) 8 (with 192 kHz sampling rate)
RECORDING FORMATS: WHEN MP3 SELECTED
Supported formats:	128/192/320 kbps, 44.1/48 kHz, ID3v1 tags
Maximum simultaneous recording tracks:	2
RECORDING TIME
Using a 32GB card:	30:51:00 (48 kHz/24-bit stereo WAV) 7:42:00 (192 kHz/24-bit stereo WAV)
TIME CODE
Connector:	BNC
Modes:	Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec (audio clock can be synchronized to timecode)
Frame rates:	23.976ND, 24ND, 25ND, 29.97ND, 29.97D, 30ND, 30D
Precision:	±0.2 ppm
Supported input levels:	0.2 – 5.0 Vpp
Input impedance:	4.6 kΩ
Output level:	3.3 Vpp
Output impedance:	50 Ω or less
POWER SUPPLIES
Batteries:	8 AA
AC adapter:	AD-19 DC12V 2A (center plus)
External DC power supply:	HIROSE HR10A-7R-4S 4-pin connector (1 pin: −, 4 pin: +), 9–16 V
CONTINUOUS RECORDING TIME: WHEN RECORDING 2 CHANNELS AT 48KHZ/16-BIT WITHOUT HEADPHONES
Alkaline batteries:	8.5 hours or more
NiMH (2450mAh):	10 hours or more
Lithium batteries:	12.5 hours or more
CONTINUOUS RECORDING TIME: WHEN RECORDING 8 CHANNELS AT 48KHZ/24-BIT WITH HEADPHONES
Alkaline batteries:	4.5 hours or more
NiMH (2450mAh):	6 hours or more
Lithium batteries:	8.5 hours or more
CONTINUOUS RECORDING TIME: WHEN RECORDING 8 CHANNELS AT 192KHZ/24-BIT WITH HEADPHONES, PHANTOM POWER AND DISPLAY BACKLIGHTING
Alkaline batteries:	1 hour or more
NiMH (2450mAh):	2 hours or more
Lithium batteries:	3 hours or more
DISPLAY
2.4" full-color LCD:	320x240
USB: MASS STORAGE OPERATION
Class:	USB 2.0 High Speed
USB: MULTITRACK AUDIO INTERFACE OPERATION (DRIVER REQUIRED FOR WINDOWS, NOT REQUIRED FOR MAC)
Class:	USB 2.0 High Speed
Specifications:	44.1/48/96 kHz, 16/24-bit, 8-in/4-out
USB: STEREO MIX AUDIO INTERFACE OPERATION (NO DRIVER REQUIRED)
Class:	USB 2.0 Full Speed
Specifications:	44.1/48 kHz, 16-bit, 2-in/2-out
	Note: iPad audio interface operation supported (Stereo Mix mode only)
EXTERNAL DIMENSIONS
Main unit:	7.0 in. (W) × 5.5 in. (D) × 2.1 in. (H) 178.2 mm (W) × 140.3 mm (D) × 54.3 mm (H)
WEIGHT
Main unit only:	2.1 pounds (960 g)

8-channel/10-track field audio recorder/mixer

8 discrete inputs with locking Neutrik XLR/TRS combo connectors

Compact and lightweight aluminum chassis, weighing just 2 pounds (without batteries)

High quality mic preamps with up to 75 dB gain, less than -127 dBu EIN, and +4 dB line inputs

Support for up to 24-bit/192 kHz recording as well as 96 kHz, 88.2 kHz, 48 kHz, and 44.1 kHz, plus 47.952 kHz/48.048 kHz for HD video compatibility; 16-/24-bit resolution

Accurate Time Code (0.2 ppm) I/O on standard BNC connectors; dropframe/non-drop formats with Jam Sync

Three different power supply options: 8x AA batteries, external DC battery pack with Hirose connector, or 12V AC adapter (AA’s and DC battery pack not included)

Automatic switching of power source from DC to batteries at user-defined voltage levels

Dedicated gain control knob, 6-segment LED level meter, and PFL/Solo switch for each channel

Phantom power (+48V/+24V) on every input

Advanced onboard limiters for input and output

High pass filter, phase invert, and Mid-Side decoder

Input delay of up to 30 msec per channel / output delay of up to 10 frames per output

Compatible with Zoom microphone capsules; optional extender cable enables remote positioning

Dual mini-XLR (TA3) balanced Main Outs plus ⅛" stereo mini-jack Sub Out

Dedicated headphone output (100mW) with front panel volume control

2.4" full-color backlit LCD with monochrome mode

Dedicated PFL display with viewable trim settings

Dual SD/SDHC/SDXC card slots, up to 512 GB each

Records in BWF-compliant WAV or MP3 file formats

Support for extensive metadata (BWF and iXML); input time, date, project, scene number, etc.

Built-in slate mic/slate tone with front panel switch

Built-in tripod mount; camera mount adapter also included

Use as an 8-in/4-out USB audio interface (@ 96 kHz)

Free Zoom F8 Control App for iOS allows wireless remote control, file renaming, and metadata entry

Shipping.

UK delivery is free for all orders over £50.

In stock orders placed before 4pm are dispatched same day.

All items are sent with DPD. For added security, expensive items will require a pin code at delivery which is emailed to you.

DPD aims to deliver next day, but some remote parts of the UK may experience a two day service.

Returns.

Should you wish to change your mind, you have 30 days from the date of receipt to do so. Simply drop us an email to info@westenddj.co.uk and we'll guide you through the process.

Westend DJ recommend that you open any items received from us carefully, as any damage to the internal packaging or missing items may incur a discretionary re-stocking fee.

Some goods are not eligible for return. This is because they are either consumables or due to hygiene reasons, these include: microphones, effect fluids, styli, crossfaders and line faders, headphones and replacement parts.

All products are backed up by a minimum 12 month
manufacturer warranty.
Items that are faulty within thirty days of receipt are
considered Dead on Arrival or Faulty out of Box. For these returns, we will arrange for the goods to be collected so that they can be returned free of
charge.
Items that display a fault after the thirty-day period are covered under manufacturer’s warranty. During the first six months of ownership, we’ll collect any faulty items from you free of charge where convenient for you.
Outside of 6 months, the cost of return rests with the
customer, if you’re struggling to ship a large item back to us, or if this is proving to be expensive please give us a call – we’ll arrange for DPD to collect the item for a fee.
Once warranty repairs are received back with us, we’ll perform a quick test to verify the issue to avoid no fault found fees. Next, we’ll arrange to send the faulty goods to the manufacturer to be repaired. This process normally takes around two to four weeks; however, we cannot provide a guaranteed timeframe.

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